"Sheila Rowbotham’s adventurous dreamers had marvellous names: Voltairine de Cleyre, Elsie Clews Parsons, Storm Jameson, Maggie Lena Walker, and Clementina Black. More familiar to most readers and writers of feminist histories are Frances E. Willard, Jane Addams, Mary Church Terrell, Octavia Hill and Henrietta Barnett. Rowbotham’s contribution is to demonstrate how both prominent and obscure women in the United States and Britain created new ways of being women. Between the 1880s and the 1920s, they challenged prevailing expectations about sexuality, living arrangements, paid work and motherhood."Rowbotham has mined periodicals, novels, association pamphlets and correspondence for evidence of the utopian vision shared by women from different political, socioeconomic and racial backgrounds. United by their desire to put radical ideas about womanhood into practice, some took inspiration from the promise of an efficient industrialized future predicted by Edward Bellamy’s Looking Backward (1888). Others were committed to the creative expression and communal life promoted by William Morris’s Arts and Crafts Movement. Bellamy foresaw a strong role for State regulation, while Morris and his disciples wished away the state entirely. These women, though, were not a cohesive group. They differed and asserted their independence on a variety of issues: reform vs revolution; regulation vs liberation; and religious vs secular motivations. Rowbotham’s accomplishment is to have discovered the common thread that connected them.
This book, reviewed by a UVA professor, sounds fantastic. Ever since I read Portrait of a Lady, I imagine all suffragettes and New Women were like Henrietta Stackpole, who I like more than any other character in James. She, too, had an excellent name.
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